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Morello’s solo on the early “Take Five” unfolds in a growing series of drum rolls, flicks of the wrist that slyly alternate their frequency and then seem to pull Morello’s arms across the whole kit. Check the midday results here on soon after the draw.

Still, there is an unfolding quality on the “Outtakes” version, a sense of reaching for what’s ahead, that doesn’t pertain to the final recording, maybe because it doesn’t have to. Take 5 Midday is the first draw of the New York Take 5 daily draw game. By July, he would figure out how do far more while sounding more efficient. The “Time Outtakes” version is from June, and Morello’s part is far less developed he taps out a sparse but somewhat obtrusive pattern on the ride cymbal, trying to perch on the end of beat one and the start of beat four. West Virginia’s banning of five big Wall Street banks for doing business with the state is yet another step toward a politicized world of red brands and blue brands. It was scrapped until a session the following week, when Morello apparently nailed it in just two takes. Listening to “Time Out,” with Morello’s broad rolling beat propelling the band and his concise, dramatic solo serving as the track’s centerpiece, he is in the driver’s seat.īut on June 25, the band tried nearly two-dozen times to get the song right, and still couldn’t.

Paul Desmond had written “Take Five” partly as a gesture to the quartet’s drummer, Joe Morello, who wanted to show off his newfound confidence playing in 5/4 time. The album includes five alternate versions of pieces that made it onto “Time Out” and two tracks that did not (the show tune “I’m in a Dancing Mood” and the ad hoc “Watusi Jam”). The eight tracks on “Time Outtakes” were all recorded on the first day, June 25, as the band was just breaking in the tunes. “Time Out” was recorded over three days spread across the summer of 1959.